About

We’re Brian and Chandler. We make ads people choose to watch.

Video Brothers is two founders, a small core team, and the same film crew we’ve trusted for years, based in Denver. For 14 years we’ve made highly creative, cinema-grade video: first for consumer brands, then as B2B specialists. Now we make it for both.

LEGO taught us how to make people watch.

In 2017, LEGO asked us to reach kids who didn’t own a pile of bricks yet. We pitched a show instead of an ad. Rebrickulous ran every week on LEGO’s YouTube channel for two and a half years: 140+ episodes and 285 million views.

We cast hosts nobody had heard of and trained them. LEGO put them on a stage in New York. One of them walked more than four football fields barefoot on LEGO bricks and set a Guinness World Record.

The part that still matters: we made an episode, watched what people actually watched, and made the next one better for less. That loop is how we make ads today.

The full LEGO story

Complicated products, made simple.

Before the free ads, we spent years making video for brands with something hard to explain. People are busy. If the video isn’t quick and clear, they’re gone.

Bose. We helped launch BOSEbuild, Bose’s build-it-yourself speaker line for kids, in 2016, and made videos for Bose’s apps.
Square. The intro videos for Square’s point-of-sale system. Small-business owners and their staff don’t have time to learn software, so every video had to be fast.
BedJet. We made BedJet’s very first commercial, back in its startup days. It went on to Shark Tank, raised more than $2.6 million on Kickstarter, and has sold over 300,000 units.1
Extreme Networks. Dozens of videos from 2013 to 2017, while Extreme bought four networking businesses and grew its yearly sales from about $300 million to about $1 billion.2
Google’s Area 120. We helped launch startups from Google’s in-house incubator, including CallJoy, which later spun out as Goodcall. Goodcall’s ad is on our wall today.

BedJet’s Kickstarter pages and its About page.
Extreme Networks’ yearly reports to the SEC, fiscal 2013 and 2018.

Then we made B2B fun to watch.

Next we brought the same approach to B2B, where boring ads are the norm. 40+ campaigns in under two years. RemoFirst’s campaign doubled their conversions and won a 2025 Demandy Award. And from Loxo:

“We had our best year in company history for pipeline generation.”

Sam Kuehnle, VP Marketing, Loxo

Now we make TV ads, for free.

Streaming TV is where people watch now, and most of the ads on it were made for a phone. So we make real TV commercials, and when you run your media with us, the ads are free. Same crew, same care, bigger screen.

You work with us. Not a team you meet once.

Brian Bruzzi, co-founder. Brian hates most ads and thinks every one should be amazing. So he brings behavioral science and psychology into how we write and direct, to make ads people connect with. He was creative director on LEGO’s Rebrickulous, which passed 285 million views. His band toured for months opening for Stryper, and on some nights for the band Boston. He built this website, too.

Chandler Quintin, co-founder. Chandler is your advocate from first call to last cut: part executive producer, part account manager. Loxo’s Sam told him Video Brothers was the only team that put great creative first and owned the process. Sam has made three ad suites with us since. Chandler was also once a cast member on mtvU’s College 500.

Behind us: directors, creative directors, strategists, writers and editors, and the same crew on set for years. Bigger teams don’t make better work. The right team does.

Cast and crew holding the slates on the Loxo shoot — Loxo

Two of the crew in a helicopter cockpit, headsets on — LEGO Rebrickulous

A wrecked convertible, dressed for the shoot, on a tow truck — American Licorice

Two scissor lifts and an actor on the purple DocuSign stage — DocuSign

Two actors firing paintball guns on set — BottleKeeper

Brian rides the dolly between setups on a detective’s office set — Act!

A camera operator filming a host at the controls of an excavator — LEGO Rebrickulous

A camera operator lines up on the monster in a kitchen set — Event Farm

An office desk set built in a parking lot, between big light frames — Cardata

A host in a paint suit by a splattered target, a camera operator filming — LEGO Rebrickulous

A Video Brothers slate for Iterable — Iterable

Monitors and a lighting desk in front of a car on a dark stage — Loxo

The crew lighting a storage-unit set for SmartStop — SmartStop

A LEGO truck and red smoke on the salt flats — LEGO Rebrickulous

A camera operator with a cinema camera on a stabilizer rig — Extreme Networks

Monster masks being sculpted and painted for a shoot — DevSquad

Cameras, lights and crew in a big studio — Goodcall

The Rebrickulous set going up in an empty warehouse — LEGO Rebrickulous

A camera dolly and lights on the DocuSign stage — DocuSign

A boom operator recording the hosts on a boat in San Francisco Bay — LEGO Rebrickulous

Bigfoot, a ghillie suit and a recruiter on the Loxo campsite set — Loxo

A camera operator with a stabilized rig filming an actor by a car — American Licorice

The crew on a green-screen stage — LEGO Rebrickulous

The crew filming a staged crime scene on a detective’s office set — Act!

Two actors in homemade pillow armor on set — BottleKeeper

A camera operator on a stabilizer rig, lights and video village on an office set — Ubiquity

Filming the record attempt on a path of LEGO bricks — LEGO Rebrickulous

An actor’s face through a shag rug, rigged for a SmartStop shot — SmartStop

Smoke, a car and the crew in a parking lot — Cardata

Brian directing an actor in a garage set — Iterable

Filming a claw machine called Snag-a-CMO — Demandbase

Chandler juggling at a Rebrickulous event — LEGO Rebrickulous

Flags, lights and a camera car in a motel parking lot — American Licorice

Video village watching the campsite set — Loxo

Cast and crew hamming it up with the Goodcall slate — Goodcall

The media runs through Elite Media Group.

Elite Media Group is our media partner: a 70-plus-person agency that plans, buys, measures and tunes the media. We make the ads, they get them seen, and you get one plan with shared data. Across their clients: 39.5x return on ad spend, $266M in revenue driven, 95% client retention (July 2026). Their media clients include FIFA, Disney, the NFL and the NCAA.

Partners

Big ideas are worth a chat.

A 30-minute call with one of the founders. No selling, no pressure. We’ll tell you straight if it’s a fit.

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